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My daughter said, “Why is it so pink?” I responded that pink was part of the actual background color, and that I was exaggerating that but would be mottling it (as I have now done, above). I said I was trying to show how there was a glow around the needles. She affirmed that there’s a glow, but thought that with a pink background, the glow seemed to come from nowhere. Damn it, she was right. When I started this, the background, which is partly bright white light, seemed way too difficult, but that now seems untrue, and yes, if the background doesn’t show that light, where does the glow come from?
I think I am resolving it by making the upper section of the background considerably lighter than the lower. We’ll see. I should consult her earlier next time.
Next day: you can’t erase colored pencil, but you can lighten it. I’ve done that and added a few more leaves. They are all different. I’m loving meeting each one.

Many nights, I am tempted to skip that day’s drawing, but I’ve stuck to it every time. Usually, even if I don’t sit down to it until 10 p.m., the process gives me energy and I’m glad to be drawing. But last night, I really wanted a break from both drawing and piano practice, gave it some serious consideration, and decided a day off was a good idea.
Today, I played piano and I drew, but this drawing is going to take a couple more days. It feels special to have gotten to it in the field guide: Sequoia sempervirens, our beloved coast redwood. And the reference photo I found conveys that quality of light that comes through the branches, and maybe explains it too: each needle, it turns out, is outlined by a glow where it thins to nothing. That’s what I want to get across in my drawing, so it will be a slow, careful process. Today I mostly just outlined the leaves.

See you tomorrow, Sequoia sempervirens.

I went to lie down for a while between dinner and family game night last night and slept right through until morning. That’s the first time I’ve missed a drawing day since beginning the leaves on January 1. I’m particularly sorry to have missed out on Sushi-Go with the family.
So I’m back to it today, and wanted to draw the cone again, this time with charcoal pencils.
I haven’t been giving the dimensions on these because it’s just too tedious to measure every day, but they are almost all in the same 6 x 8.5 sketchbook. Some really fill the page, while some, like this drawing, are quite a bit smaller.
They are tight, ovoid cones in the trees, but when they fall to the ground they often look like tiny, wizened roses.









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