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I followed my plan of drawing the same subject in a markedly different style tonight, difficult though that is, and it helped shake the doldrums I had last night. I’m going to try something even more uncharacteristic tomorrow. It will be interesting to see what happens if I keep mixing it up.

Day 96 of #100days of making art

That’s all. I just hate my own style, or maybe it’s not that that I hate, but the particular ways I get stuck. My too-familiar ruts. Ugh.

I’m spilling this out here because my blog is in part my art journal, and it’s important to share the gamut of moods.

Tomorrow I’ll try to get out of the rut by drawing the same subject (a couple of leaves) in a totally different way. Tonight I’m just closing the sketchbook on this unsatisfying drawing and going to bed.

Day 95 of #100days of making art

Day 92, and the second in a row of having lots of time for art, thanks to a Sunday off. I painted the lower right hand “room,” glued the walls in place, and did most of the vase.

I still don’t know the main element of the third room, nor lots of details of the others. I did stitch a length of videotape into something resembling cursive writing, which will be the main element of one room, I think. Am I the only person who feels a mixture of sadness and curiosity when they see a length of video (or audiotape, when those were around) all pulled out of its cassette and tangled and dirty on the street? It makes me wonder what was on it–what still is on it, but is now inaccessible. Anyway, this one will be part of a sculpture.

#100days of making art

I started on an assemblage with some techniques and themes that are similar to the last one’s. It’s going to have three or four chambers, so a lot of what I did today was cut the inner walls to size and sand them. I also worked out the string pattern for the lower-right chamber (you can see the plan on the paper in the foreground) and drilled most of the holes in the walls for threading it through. I’m still not sure how I’m going to do that, but I’ll play around with it tomorrow.

I also had a great time drilling successively larger holes in the door (lid) to make a peephole. The cigar box wood splinters so easily that I thought for sure I’d have a disaster if I tried a large bit first, so I worked my way up to a 1/2-inch bit.

I’m trying to stay in that indeterminate head space where I’m lightly holding a theme and some images, without knowing how they all relate to the theme or even being entirely sure that they do. I know I am looking at the difficulties of understanding each other across gulfs of culture, experience, language, etc., and the extraordinary fact that we ever reach any understanding at all.

The virtual vase that emerges from the strung thread expresses this in one, hopeful way. The unspooled, unidentified videotape is more expressive of the frustration involved. If I look too analytically at these or other images that are coming to mind, I’m afraid their meanings will shrink away from me like a snail retreating into its shell. So I’m letting them float in my peripheral vision, hoping that while I paint and drill and sand, they’ll take more definite shape of their own accord.

Day 91, #100days of making art

Another in a series of “maps” modeled on those in The Penguin Atlas of the Ancient World and drawn over its text. This one is titled “Yet Perhaps.”

I just realized I never posted a photo of this, though I finished it in early November.

20191106_195930

Problems in Translation. Mixed media, 15x28x5 cm. (c) 2019 Amy Zucker Morgenstern

I got onto Craigslist yesterday and found someone selling some small wooden boxes, used, so I’m excited about continuing my explorations in this vein.

 

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